Nellie Bly, a 23 year-old reporter for Joseph Pulitzer, goes undercover in the notorious Blackwell’s Island women’s insane asylum in order to expose corruption, abuse and murder.
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Drama documentary based on Bill O’Reilly’s and Martin Dugard’s 2012 non-fiction book “Killing Kennedy: The End of Camelot”. It follows the parallel lives of John F. Kennedy and Lee Harvey Oswald from the winter 1959-1960 to those fatal days in Dallas in November 1963, when they both died within two days after each other and were buried on the same day – John F. Kennedy in a state funeral in Washington D.C., broadcast live both to Europe and the Pacific, while Oswald was buried in Forth Worth at a small funeral where the attending reporters were asked to act as pallbearers.
Dr. Abe Mandelbaum has just moved into a retirement home. After forming an unlikely friendship with a womanizing gambler, their relationship is tested when they each try to convince a mysterious nurse that they are her long-lost father.
A computer hacker’s goal to discover the reason for human existence continually finds his work interrupted thanks to the Management; this time, they send a teenager and lusty love interest to distract him.
Based on Thomas Hardy’s classic novel Tess of the D’Urbervilles, ‘Trishna’ tells the story of one woman whose life is destroyed by a combination of love and circumstances. Set in contemporary Rajasthan, Trishna (Freida Pinto) meets a wealthy young British businessman Jay Singh (Riz Ahmed) who has come to India to work in his father’s hotel business. After an accident destroys her father’s Jeep, Trishna goes to work for Jay, and they fall in love. But despite their feelings for each other, they cannot escape the conflicting pressures of a rural society which is changing rapidly through industrialisation, urbanisation and, above all, education. Trishna’s tragedy is that she is torn between the traditions of her family life and the dreams and ambitions that her education has given her.
Julian Jons is a talented but troubled young artist. He has just been released from an asylum, where he has spent the last seven years for the murder of Anna, his girlfriend/model. Attempting to start painting again, he is pursued by journalist Jennifer Cole, who is intrigued by this complex, brooding man. Against the backdrop of the modern art world, she begins to dig into the past, fully aware that it holds painful memories for Julian, and perhaps danger for herself.
Joe Moore has a job he loves. He’s a thief. His job goes sour when he gets caught on security camera tape. His fence, Bergman reneges on the money he’s owed, and his wife may be betraying him with the fence’s young lieutenant. Moore and his partner, Bobby Blane and their utility man, Pinky Pincus find themselves broke, betrayed, and blackmailed. Moore is forced to commit his crew to do one last big job.
A young refugee of the Sudanese Civil War who wins a lottery for relocation to the United States with three other lost boys. Encountering the modern world for the first time, they develop an unlikely friendship with a brash American woman assigned to help them, but the young man struggles to adjust to this new life and his feelings of guilt about the brother he left behind.
Two young sisters recovering from an unnamed trauma must face a mysterious past in this excellent South Korean shocker. A worldwide hit upon its release and based on an old Korean fairy tale; two sisters come to live with their cold and distant father and turn-on-a-dime stepmother in a house where nothing is as it seems. A wonderfully haunting score, starkly beautiful imagery, and a labyrinthine plot that twists and turns at every dark corner all set the stage for a riveting and often terrifying guessing game of a movie. Equal parts drama, mystery, and ghost story, A Tale of Two Sisters is a richly complex and challenging cinematic treat that may very well demand repeat viewings.